Wednesday, January 29, 2020

Analytical Paper The Departed Essay Example for Free

Analytical Paper The Departed Essay The average trip to the theater will indulge the lesser senses, relaxing the mind while also discovering the storyline as the film progresses. When approaching a film with an analytical mindset it is important to have a deeper more developed thought process. Small details within a movie can prove to have extreme importance to the storyline sometimes having multiple meanings. While analytically watching the film The Departed it is apparent that the director Martin Scorsese uses an immense amount of symbolism along with character representation to develop the storyline. The use of animal clothing to represent the alpha male is a use of symbolism within the film that is a reoccurring. Another use of symbolism can be found in the shot of the Massachusetts State Building which entails the desire of a more lawful existence and the shot is also a reoccurring image throughout the film. The question of â€Å"what is loyalty† is a big idea that the director develops with the use of several characters along with meaningful dialogue. In Martin Scorsese’s The Departed the theme of loyalty is expressed along with the symbolism of the state building and animal clothing. In the film The Departed Matt Damon’s character Collin Sullivan infiltrates the Massachusetts State Police department as a detective who is secretly working as an informant for the Irish Mob lead by Frank Costello who is played by Jack Nicolson. Meanwhile Leonardo Dicaprio’s character Billy Costigan is placed in an undercover position within Frank Costello’s crime ring. The two informants are placed in a state of confusion as to their true identity when they become consumed with their double lives. The challenge of uncovering the identity of each other is introduced when both parties, the Police Department and the Irish Mob discover that there is a mole inside their units. Both characters reach a tragic end once their identity is reviled. Throughout the film The Departed the Irish Mob leader Frank Costello is viewed as a dominant character. This idea arises from the ruthlessness that Frank demonstrates in his criminal lifestyle. Committing multiple murders which were done in an extremely horrid manner gives supporting evidence of Frank’s dominance. Having multiple people operating under him shows that he is the leader in that he does not ask for respect he demands it. Like the lion, Frank is the king of his concrete jungle. He has a hand in every criminal occurrence and knows of everything going on in the community around him. If any person in the community rivals Frank in any way he eliminates the threat by any means, keeping him in the highest position of power. People seem to fear Frank for the threat of what he is capable of doing so if he is not respected or disobeyed in any way then severe consequences will result. Martin Scorsese takes certain scenes in which it is important for Frank to be feared and uses underlying symbolism to develop his ideas. â€Å"I’m not the cops I’m not asking†. The first scene in which animal clothing is used to show Frank dominant position is his first meeting with Billy Costigan. Frank talks down to Costigan in this scene exerting his dominance and at one point beating him repeatedly in his broken hand asking several times if Costigan is a cop. Frank uses certain dialogue to show his position of high power giving evidence that he is the king of his concrete jungle. Another scene in which Frank is shown wearing animal clothing is the scene in which Billy Costigan is meeting with Frank inside his condominium on the harbor. The true ruthlessness of Frank is yet again shown when he pulls the hand of a recently assassinated protestant man from a plastic bag. Frank then looks to Billy and says â€Å"a man can look at anything and make something out of it. For instance, I look at you and I think what can I use you for?† This entails that Frank does not truly care about Billy and that he is just another tool for Frank to use to achieve success. In this scene several responses occur, one is that Frank is a dominant tactician. An additional response comes through the symbolism of the animal clothing. This response is that Frank has an apparent disregard for human life. There is a moral obligation of people in a normal society to avoid harming one another. In the animal kingdom survival of the fittest is the law in which the animals abide by throughout daily life. Frank defies the normality of typical humans in that he has no moral obligations to take care of anyone. He eliminates anyone who interferes with his business or anyone who stands between him and accomplishing his goals. Like the lion Frank understands that if killing is the only option to keep him alive or out of jail then he will go to any end to preserve his way of life and better himself. He does what it takes to survive living life with a ruthless strong animal like persona. This idea is clearly represented throughout The Departed in which Martin Scorsese uses the symbolism of animal clothing to revel Frank’s true ruthlessness and attitude towards humans. Frank gives reason to believe that a person is only as good as what they can do for him. He is constantly setting people up to take falls for his crimes disregarding their lives family and friends. Frank’s complete disregard for the sanctity of life shows that he is a true animal in which Martin Scorsese portrays perfectly in The Departed. Without the aid of small symbolism within The Departed it would be much harder to distinguish characters true identity and intentions. The true intentions of Collin Sullivan or Detective Sullivan are most prevalent in the instances in which he is engulfed and mesmerized by the shots of the Massachusetts State Building. Collin desires to escape his criminal lifestyle by achieving success as a lawyer. He also desires to be a high-class citizen and to make something of himself unlike his father. Whenever placed in situations of trouble a shot of the Massachusetts State Building is shown it is evident that this is another use of symbolism by director Martin Scorsese. During the opening scenes of The Departed it is shown through the director’s choice of shot along with meaningful dialogue that Collin Sullivan desires to achieve greatness outside of the criminal realm. While sitting on a park bench Barrigan, Sullivan’s coworker says to Sullivan as he gazes in awe at the sight of the State Building â€Å"What are you looking at? Forget it. Your father was a janitor, and his son’s only a cop†. This first scene of the State Building opens a door to view Collin’s internal desire to have a more distinguished lawful existence rather than that of a rat lacking honor and integrity. As the film progresses it is shown through Collin’s dialogue that he is attending law school showing that he has ambitions to someday become a lawyer or politician leaving his current position which lacks honor behind. While being shown an apartment Collin is once again caught in a trance peering through his soon to be apartment window at the State Building. The realtor then makes the remarks â€Å"You move in your upper class by Tuesday†. This once again exemplifies the desires of Collin to become a person of class or someone who is respected and held in high regards by others. In the concluding scenes after the films climax which included the deaths of Costello, Costigan, and Queenan Sullivan enters his apartment to find Detective Dignam waiting to assassinate him. As Sullivan falls to the apartment floor the ever-present symbolism of the State Building is shown again. While Sullivan’s life ended in a tragic manner it is evident through the symbolism that he desired and could have achieved a lawful existence. If placed in a different environment at a young age Collin could have possibly become a great law enforcement official rather than a criminal.

Tuesday, January 21, 2020

Comparing and Contrasting the Role of Women in Things Fall Apart and He

Role of Women in Things Fall Apart and Heart of Darkness       Women were once little more than slaves to their male "betters." Some women might have been respected, but their places were limited to roles as wives and mothers. They might rule a home, but were not believed intelligent enough for any other role. This chauvinistic attitude is well reflected in the novels Things Fall Apart, by Chinua Achebe, and Heart of Darkness, by Joseph Conrad.    In Things Fall Apart, women are praised in their capacities as wives and mothers, almost revered really. In many instances, Achebe paints glowing pictures of them in these roles. "Anasi was a middle aged woman, tall and strongly built. There was authority in her bearing and she looked every inch the ruler of the womenfolk in a large and prosperous family" (Achebe 20). Anasi's role as Nwakibie's first wife is obviously one of great respect and she is regarded nearly as a queen. She presides over the other wives of her husband and keeps them under control and peaceful. Because she does a good job, she is highly regarded as a woman. Also, "Ani played a greater part in the life of the people than any other deity. She was the ultimate judge of morality and conduct" (Achebe 36). This quote may be surprising to the reader at first that men might worship a female goddess, but it fits with feminine roles in the Ibo society. Women are often entrusted with instilling morality in their children and governing their conduct. A female goddess will remind men to uphold their morals and mind their conduct, much the way a mother would her child. Again, there is the valued role of a mother for a woman. She will be admired and cherished for that, but little else. Outside the roles of mother and w... ...orld, this is a sad attitude. Worldwide, women have it even worse. In Africa and parts of Asia today women are still as they were in Heart of Darkness and Things Fall Apart. They hold little power, are married to produce children, and are no much better than slaves. Achebe and Conrad, though indriectly, have painted a pitiful picture of the role of women in certain societies. In both novels, societies run by men eventually turn evil and fall apart. The admired war-like men come to destroy their lives and that of those around them. Well, perhaps it is time to give the women, the guardians of morality and conduct, a chance to run things. Maybe then there will be some peace on earth.    Works Cited: Achebe, Chinua.   Things Fall Apart.   Greenwich: Fawcett Publications, Inc., 1959. Conrad, Joseph.   Heart of Darkness.   London: Penguin Books, 1989.      

Monday, January 13, 2020

Mughal Era

PREFACE The Mughal Empire The Mughal Empire In seeking to determine the clothes worn by the wide range of people that entered India during the Mughal period, one has to take into account the geographical factors that influence their form of dress, the region they come from, how they lived, how the terrain, climate and their professional occupation affected what they wore. BRIEF HISTORY In 1526, Babur established the Mughal Empire, which lasted for over 200 years. They ruled most of the Indian subcontinent by 1600.The Mughal emperors married local royalty, allied themselves with the local maharajas & attempted to fuse their turko-persian culture with ancient Indian styles. The Mughal dynasty reached its peak during the reign of Akbar and it went into a slow decline after the death of Aurangzeb in 1707 and was finally defeated during the war of independence in 1857. LIFESTYLE The marketplace The marketplace The society of the Mughal period can roughly be categorized into the rich, midd le and poor class. The difference between the richest sections of society and the poorest was very wide.At the top of the social and economic ladder was the king followed by his nobles. This class lived in extraordinary luxury with abundant resources at their disposal. They lived a life of reckless festivity, grand banquets, lavish homes and often had inflated egos. Their food and dress was very costly, and their homes were huge palatial structures. Both indoor and outdoor games were popular with this class, for they had the time and resources to be able to indulge in them. An unfortunate aspect was that as a result of their tremendous wealth, many of them squandered away their money and lives in vice and temptations.Towards the close of the Mughal Empire, many of the emperors were no longer interested in running the empire; instead they were keener on enjoying the wealth they possessed as kings. Tyranny of the Emporer over the lower sections of the society Tyranny of the Emporer ov er the lower sections of the society The middle class was a relatively new development, one that would grow and become an important force during British India. They were usually merchants, industrialists and various other professionals. While not being able to afford the extravagance of the rich class, they led comfortable and perhaps more sensible lives.Many middle class families were also very well off and were able to indulge in some luxuries. Purdah system was followed during Mughal Era Purdah system was followed during Mughal Era Below the middle class lay the poor class, the most oppressed and neglected part of the society. There was a major difference between their standard of living and that of the two preceding classes. They were usually without adequate clothing and in cases of famines even without food. They held very low paying jobs, where they were expected to put in long hours.Their condition can perhaps be described as voluntary slaves. They were often harassed by the officers of the king, who extorted money out of them by making false charges against them. The economic conditions of the peasants continuously declined, especially towards the close of the Mughal period when the tyranny of the provincial governors constantly troubled the peasants' lives. The position of women in Indian society changed considerably with the coming of Islam. The Indian women now came to occupy an even lower status. Muslim inroads made strict enforcement of purdah and seclusion of women.Women’s education was not encouraged. The birth of a girl was not regarded as a happy event. On the contrary the position of the women of the noble and royal families was little better. Miniature paintings of the Mughal era Miniature paintings of the Mughal era Miniature paintings: important source for Mughal costumes Mughal painting is a particular style of South Asian painting, generally confined to miniatures, which emerged from Persian miniature painting and developed durin g the period of the Mughal Empire (16th – 19th centuries).Miniature paintings were a variety of Islamic paintings done during the reign of the Mughal Emperors. The Mughal paintings often covered scenes from the court and help our understanding of how the court functioned. These paintings also provide us with information on what the emperors looked like. * The Mughal miniature paintings had depicted the costumes and ornaments which were prevalent in the time of medieval India. Mughal artists had rendered exquisite detail of the costume of the people of that period. The Mughal Emperors who helped the art of painting to flourish were Akbar, Jahangir and Shah Jahan. Mughal Queen covered in fine clothing and jewels Mughal Queen covered in fine clothing and jewels The costume of Mughal women Traditional Mughal costume Traditional Mughal costume The ladies of the Mughal dynasty were as remarkable as their men and in certain cases even more cultivated. The way these beautiful, educat ed and extremely talented Mughal women used to dress became a matter of interest for many.Royal women wore beautiful clothes made from the finest materials and adorned jewellery from head to toe. They used to spend a lot of money in getting for themselves fine silks, brocades and muslins from which they got stitch beautiful garments. They were mostly covered in white colored veil because of the prevalent purdah system and they could not go out on the street without the veil otherwise they were forced to join the profession of prostitution. Early costumes When the Mughal ladies first set their foot in India they were dressed in long gowns, caps and trousers.And upto the time of Akbar, Persian dress was worn by muslins but during Akbar’s time Rajput dress was adopted. * An inner garment or kartiji was invariably worn beneath the gown as a short bodice reaching to the hips. * Queen in her chambers Queen in her chambers Another jacket or nimtena was frequently put over the dress somewhat like a vest (Gulbadan begam, the daughter of Babar while describing mirza hindal’s marriage in her memoirs, mentions â€Å"nine jackets with garnitures of jeweled balls† and four shortered jackets with bal trimmings among the articles of dowry for the bride Sultana begam. The effect of these gorgeous dresses embroidered with gold and pearls was astonishing. So in a whole the early Mughal costume for women consisted of wide topped trousers fitting snuggly from calf to ankle, long kurta, fitted outer jacket, dupatta, high Turkish hats, sometimes with a small veil attached and some feathers too. The Jaguli The Jaguli Influence on Hindu women The glamour of these dresses must have cast its spell unmistakably on the susceptible Indian women. Opportunities were not lacking for frequent contacts between Indian and Mughal ladies.It is therefore not astonishing that Indian women associated with the court of Delhi and high ranking ladies living in the Rajput dependencie s of northern India should very soon have adopted the distinctively Mughal style of dress. The jaguli worn by women- a sort of empire gown fastening at neck an waist, opening between the fastenings and permitting a glimpse of the breasts and with long tight wrinkled sleeves and long flowing skirt reaching as far down as the ankles. This attire was worn by the Muslim dancing women. Later Mughal costumeLater Mughal costume The skirted robe of these women which was slit in front from the waist to the bottom and which in their language was known as peshwas distinctly resemble the jagulis of the Kangra painters. Later Mughal Costumes consisted of Long sleeved choli, Isar (often striped), Brocade vest, Short and long ghagra (often in sheer material),Silk or muslin dupatta, Apron (with embroidery) and farji (long sheer vest like garment), Long sleeved floor length gown with a sari that drapes from the jeweled embroidered crown and an Ornate turban.MALE COSTUME Men wore a pagri (turban), a jama (coat), a patka (shawl), a katzeb (sash) and either trousers or a dhoti (loincloth). The Jama: Essentially, the jama is a snugly fitted garment that is complemented by a pair of long sleeves, a distinctive crossover bodice and a full skirt. The jama is differentiated from other coats of the Mughal era (such as the angharka) in that the skirts overlap in the same fashion as the bodice. The Jama The JamaThe social status and wealth of the wearer were indicated by the textiles used to create the jama, the fullness of the skirts and the length of the sleeves. The sleeves were tight-fitting to the wrist, and were commonly so long as to form soft folds along the forearm. The sleeve also features an inset triangular gusset in the armpit, which allows for a snug fit without compromising mobility. Dhoti or Paijama: Another term for these trousers is paijama, from which comes our familiar word denoting sleep attire.The word is a compound of two Persian words, pai meaning â€Å"feet† or â€Å"legs†, and jama meaning â€Å"covering†. Both men and women wore paijamas, possibly in imitation of the warlike Rajput princes who preferred them to the dhoti or the mobility they afforded. Mughal King Akbar Mughal King Akbar Pagri or Turban: Paintings from the court of Akbar indicate that there was a difference between the wrap used by a Muslim and that of a Hindu. Generally, Hindu turbans were fuller and rounder than those of the Muslims, who favored elaborate jewelry to embellish their headgear.Patka, Katzeb and Juttis: Three more items finish off the male costume and these are the patka (shawl), the katzeb (sash) and Juttis (shoes). The Patka: The patka is a handsome garment often depicted in illustrations of the period draping elegantly from the shoulders of Akbar’s courtiers. It survives today in India as the dupatta, worn by women as a scarf with Emperor Shah Jahan Emperor Shah Jahan their salwar Kamiz and Hindu men on their wedding day. Patka , Katzeb and Juttis worn by Prince Salim Patka, Katzeb and Juttis worn by Prince SalimThe Katzeb: Even more ubiquitous than the patka, was the katzeb, or sash. In illustrations of the period, it is clear that the patka and the katzeb never matched one another, but like the patka, the katzeb was richly decorated in a number of ways. Sashes in the reign of Akbar seem to be of two lengths, long and short. Laborers, servants and courtiers in a hunting party are often shown with shorter and plainer katzebs. Wealthy emirs and the Akbar himself are depicted as wearing longer and more abundant sashes, and in a few cases, two sashes of contrasting colors at once.Juttis:   Hindus and Muslims differed greatly in their approach to footwear. Followers of Islam wore shoes and boots habitually to protect their feet from the heat and hazards of the Indian landscape. Hindus, on the other hand, view feet and leather both as â€Å"unclean†. The making of leather goods, therefore, is and was l eft to the members of the lowest castes. As a rule, Hindus preferred to go either barefoot or in sandals called paduka, which were made of â€Å"pure† materials such as wood or even metal. Shoes were invariably removed before entering living areas and temples.

Sunday, January 5, 2020

Math 533 - 2086 Words

Brief Introduction: AJ Davis is a department store chain, which has many credit customers and want to find out more information about these customers. AJ Davis has complied a sample of 50 credit customers with data selected in the following variables: Location, Income (in $1,000’s), Size (Number of people living in the household), Years (number of years the customer has lived in the current location), and Credit Balance (customers current credit card balance on the store’s credit car, in $). The manager at AJ Davis has speculated the following: a. The average (mean) annual income was less than $50,000. b. The true population proportion of customers who live in an urban area exceeds 40% c. The average (mean) number of†¦show more content†¦* My calculated test statistic of -2.07 falls in the rejection region of z lt; -0.1645, therefore, I would reject the null hypothesis and say there is sufficient evidence to indicate ult;50 or $50,000. b. The true population proportion of customers who live in an urban area exceeds 40% * 22 of the 50 surveyed live in the Urban area, which is 44% or 0.44, this is the point estimate for p. * Therefore my hypothesis would be * Ho: = 0.40 vs. Ha: pgt;0.40 * In order to conduct the large sample z-test, we first need to verify that the sample size is large enough. * nPo= 50(0.40) = 20 and 50 (1-0.44) = 30, both are larger than 15, so we can conclude that sample size is large enough to apply the large sample z test. * Z= (0.44 – 0.400)/ 0.69282= 0.58 where s phat= sqrt (((0.40) (0.60))/50= 0.069282 * This is a one tailed (upper or right since HA has â€Å"gt;†). Our rejection regions would be z gt; 1.645. * 0.58 is not greater than 1.645 (and is not in the rejection regions) so we would not Reject the Ho. * The p-value= 0.282. 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